Weiss carries the film admirably, giving Lisa intelligence and pathos as she navigates the physical and psychological tests inside the mysterious tunnels. Meander spends most of its runtime focused on Lisa crawling through a metal cylinder, but writer-director Mathieu Turi makes the film a suspenseful thrill ride that will have viewers cringing and yelling at the screen more than once. Lisa discovers that she is in a vast labyrinth filled with grisly traps that will maim, roast, or drown her if she doesn’t get to the next safe zone and beat the clock ticking away on her wrist. As she takes in her Tron-esque jumpsuit and the glowing cuff attached to her wrist, a hatch opens and a countdown begins on the cuff.
#Meander movie 2021 driver#
Adam (Peter Franzén) is a little too curious about her life, and Lisa’s growing suspicions about the overly eager driver appear to be confirmed when they get into a car accident and she wakes up inside a small metal compartment. She gets out of the way of an approaching car, somewhat reluctantly, and accepts a ride from the driver. We meet Lisa (Gaia Weiss) as she lies in the middle of the road. While those turns don’t necessarily stand up to narrative scrutiny, what Meander lacks in rigorous plot logic, it makes up for in superb tension and emotional resonance. Much like its heroine, though, Meander takes a few sharp left turns, subverting audience expectations and telling a much different story than the one I expected. Meander had me at “claustrophobic death traps.” The poster and synopsis for the film promised horror reminiscent of Cube-meets- Saw, with a woman crawling through a tunnel trying to escape whatever elaborate bodily harm lies waiting for her if she doesn’t move quickly enough.
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